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This is unexpected to an audience who sees the show as a healthy representation of two complicated people, and must have been expected by anyone who recalls the strangely intense pitch of conversation around "Girls" and its lead character, Hannah Horvath. There is something about common human characteristics embodied by a young adult that appears to rankle audiences.

The trick of "Hacks" is that all of those descriptors fit Deborah, too. To reiterate: Ava is no picnic, and the program understands this. When  More In-Depth  goes into Deborah's world, Ava has made herself unhireable by publishing an off-color joke on social networks. Her bad luck and unemployability, we pick up, is owed as much to one ill-chosen joke regarding her basic failure to accumulate any genuine defenders in her time working in the home entertainment market.

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But Deborah similarly spurns Ava, declining to see how or why anything she says even is funny, not to mention good comedy. The pair of characters grow together, with Deborah turning on to Ava's design just as Ava finds out about Deborah's warded off tradition, and it's a bit odd that just one of the 2 is widely being checked out as particularly unthankful or unkind.

Another significant review of Ava is that she's unfunny, but her Dadaist anti-comedy feels closer to the heart of where the medium is today than Deborah's product at the show's outset. And Ava's openness to experience whether it's getting a little too into the slots at her casino or pursuing a strange one-night affair with a fellow visitor suggests a sprightly interest about the world around her that would serve a comic well, and a desire to pry out absurdities towards which Deborah has actually grown jaded.